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The Rubik’s Cube has been a national phenomenon for several decades, so publisher Game Factory thought it would be a good idea to make a game based on the puzzle, and set developer Two Tribes to work making the games.
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The Cube has inspired competitions between professional solvers, insane time record videos on Youtube, and the popular Kobayashi Maru solution of disassembling the Cube and putting the pieces back in order. The twisting, turning 3X3 cube made of cubes can be more maddening to solve for the inexperienced than the perverse “spilled milk” all-white jigsaw puzzle. That innocent little puzzle that almost every kid has owned, and subsequently gone crazy trying to solve. Queen-stunting 101, but with a dash of flashiness.Ah, the Rubik’s Cube. But it’s still funny to see how, in order to bring to attention supposedly-invaluable, must-have digital assets like crypto and NFTs, we’re still stuck with the oldest trick in the book. Castello likes to watch the world burn and rub everyone’s face in because he’s not going down with it, the harshest critics are saying.Īt the end of the day, art is meant to be divisive and, from this perspective only, the Castello Cube makes for a good piece of art. Some people love to watch the world burn, as Alfred told Bruce Wayne in The Dark Knight. Reactions to the gold Cube vary, ranging from awe from the art community, to praise and admiration from some, and outrage from the majority.
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The night before, it was unveiled to an A-list audience at Cipriani’s on Wall Street, where Castello said that the artwork was all the more special because he had no intention of selling it and, quite possibly, to display it again. On February 2, 2022, after a very aggressive and mysterious campaign in both the written and online media, the Castello Cube was placed in the park with armed security, right on the ground in the slush and rainwater, as people gathered to see something that had never been done before: the biggest accumulation of the precious metal in one single piece. The whole thing took 4,500 hours to make. Castello was on had at all times, supervising the project and adding the finishing touches, like an engraving that states the year of the sculpture and includes his initials.
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Rüetschi in Aarau, Switzerland, where they had to hand-build a kiln big enough to fit the large volume of gold that had to be melted. The sculpture was made at the Art Foundry H. The NY Times notes that he pre-sold many of his upcoming Castello Coins in order to secure the funds for the gold, in what is a very meta and possibly very efficient method of advertising. It has a hollow center, but still weighs a lot and “ate up” countless gold bars bought by Castello from a UBS Bank in Switzerland. The cube is actually a gold sculpture called the Castello Cube and, while it’s made of real, 24-karat, 999.9 fine gold, it is not solid gold. We’d wager it’s more like queen-stunting for the artsy-pantsy type, but artist Niclas Castello would rather we called it a PR stunt meant to attract attention to his new cryptocurrency and upcoming NFTs. This is not a joke, though many chose to describe it as tomfoolery of the most bitter kind.
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And it’s of the most egregious kind: a knee-high, 410-pound (186-kg) cube made of real gold, estimated at almost $12 million, and displayed for just one day in front of regular folks, in New York City’s Central Park. With so much emphasis placed on the fact that the man (and woman) of the future will move away from physical possessions because technology will allow to have them all in the digital realm, it comes as somewhat of a paradox for a physical possession being used to bring attention to crypto and NFTs.